WFAE
JOURNAL

Soundscape: The Journal of Acoustic Ecology

We are excited about our organization's publication, Soundscape: The Journal of Acoustic Ecology. The annual Journal is available to all members of an Affiliate Organization.

After years of working to establish a functioning international network through the World Forum for Acoustic Ecology (WFAE), we are now able to devote time to offering a professional journal.

In the past,The Soundscape Newsletter, The New Soundscape Newsletter, and this web site, have been the primary means of keeping the acoustic ecology community connected and informed. Now it is time that we pool our energies through this new publication.

We see this journal as a place of dialogue and debate and invite your comments, questions and critical voices.

We archive previous editions of the Journal online 6-12 months after publication. We provide this as a service to members and others interested in the field of acoustic-ecology.

Journals are available in a PDF format. A free copy of the current Acrobat Reader can be downloaded directly from Adobe. We have prepared a set of Instructions for Accessing PDF Files for those who may not be familiar with this format or are having difficulty downloading documents.

Contact: soundscape-editor@wfae.net

Editorial Committee

Recent Publications

Contributor's Guide (230 KB) (Reader Assisted)

Instructions for the preparation of materials for submission to soundscape – The Journal of Acoustic Ecology by Robert MacNevin. All contributing authors are asked to follow these guidelines in the preparation of manuscripts for the Journal. Topics include organization, font, style, submission of graphs, charts, photographs, and other materials.


Volume 1, Number 1, Spring, 2000 - Listening
  • An Introduction to Acoustic Ecology
  • Acoustic Atmospheres
  • Learning is Living
  • Associative Listening
  • Learning to Listen

Volume 1, Number 2, Winter, 2000 - Silence, Noise, and the Public Domain
  • The Acoustic Environment as a Public Domain
  • Silence and the Notion of the Commons
  • Silence in the Contemporary Soundscape
  • Living Out Loud
  • Acoustic Ecologists and Environmental Psychologists

  • Sound: An Enrichment or State
  • Shapes, Surfaces and Interiors
  • Acoustic Virtual Training for the Blind

  • Acoustic Communication Studies at Simon Fraser University
  • Bringing Soundscapes Into the Everyday Classroom
  • Teaching Acoustic Ecology
  • Stockholm Soundscape Project
  • “With the Calm, Comes Silence”
  • The Concept of Soundscape and Music Education in Japan
  • Sound Reflections
  • Acoustic Ecology and Environmental Studies

  • Questionnaire
  • Recovering Narcissus: Sound and Touch in the Digital World .
  • Musical Information Networks
  • Digital Arts’ Black Sheep
  • Sharing Experiences Towards the Possibility of an Electroacoustic Ecology

 


  • Ocean Bio-acoustics and Noise Pollution
  • Antarctica: Austral Soundscapes
  • Listening Underwater
  • Creatures of culture?
  • Soundwalking the Internet

  • Auditing Acoustic Ecology
  • Open Ears
  • Acoustic Objectives for Designed or Managed Soundscapes
  • Acoustic Ecology and the New Electroacoustic Space of Digital Networks

 


Volume 5, Number 1 Spring/Summer 2004 - Acoustic Design
  • Discrete Mapping of Urban Soundscapes
  • Acoustic Design in the Build Environment
  • Active Acoustics: Defining One's Private Acoustic Environment
  • Istanbul Sound Diary

  • Echos of a Disappearing Planet
  • Intermissions with the Orchestra
  • The Music Must Always Play
  • Voicescapes: The (En)Chanting Voice & its Performance
  • Mediated Music & Meditation in Modernity

  • Hearing Protection for the Critical Listener
  • The Nautre of Hearing and Hearing Loss
  • Tinnitus and Sound
  • Restoring the Soundscape with Hearing

Volume 6, Number 2 Fall/Winter 2005 - Soundscape Studies in Japan

  • Insights Taken from Three Visited Soundscapes in Japan
  • Acoustic Ecology Considered as a Connotation: Semiotic, Post-Colonial and Educational Views of Soundscape
  • A Tiny Field for Soundscape Design: A case Study of the Soundscape Museum in Osaka, Japan

Volume 7, Number 1 Fall/Winter 2007 - Art, Science, Environment, Activism

  • Research Reports for the Ears: Soundscape Art in Scientific Presentations.
  • Conversations: David Dunn, Nick Miller, Emily Thompson
  • Sound From Dangerous Places: An Interview with Peter Cusak
  • Language for the Listening Body
  • The Appreciative Ear: Sounds from the Ground Up.

Individuals who join a WFAE Affiliate Organization receive the Journal with their membership. Complete membership information is available on the WFAE Membership Page.

Non-Member and Library Journal Subscriptions:

Soundscape: The Journal of Acoustic Ecology is an English language publication with articles, reports and information about activities and events of the international acoustic ecology community. Each WFAE membership includes an annual subscription to the journal.

  • 1 year Individual paper copy subscription US $25
  • 1 Single copy back issue purchase US $25
  • 1 year Library or Institution paper copy subscriptions US $50

Order From:

World Forum for Acoustic Ecology (WFAE)
Membership Secretary
P.O. Box 268, Fairfield
Victoria, 3078
Australia

Please do not send drafts, as bank charges are very high! Please send US cheques, international money orders, or travelers cheques made out to the WFAE.